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    DR#28 : Harlem World
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    DR#27 : Queens get the money
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    DR#9 Dat's da Chiraq I like
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    DR#7 Make my-funk the G-funk
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    DR#6 Throw your D in Miami
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    DR#5 Crooks, business models & bounce in da NOLA
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    DR#1 Screwed Up in Houston
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DR#5 : Crooks, business models & bounce in da NOLA

Deeply Rooted 12 novembre 2018 468


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Arrêt cette fois à la Big Easy, la plus française des villes américaines, la Nouvelle-Orléans en Louisiane, terre de Jazz, de Zydeco, de Funk et de défilés gigantesques pour le Mardi gras. On vous explique d’abord comment un morceau d’un groupe new-yorkais a complètement enflammé les clubs de Nola pour créer un genre nouveau, la Bounce Music. Mais les deux plus gros poissons du game sont paradoxalement d’une certaine manière extérieur au phénomène. On parle bien sûr des deux écuries que sont Cash Money Records, avec son président crapuleux jusqu’à l’os Baby aka Birdman, et No Limit Records, un vrai modèle de réussite grâce au grand Master P.

Références citées :

Ball (T.I. feat. Lil Wayne) – David Simon – Treme (Série TV) – King Oliver – Louis Armstrong – Jelly Roll Morton – Allen Toussaint – The Meters – Dr. John – Professor Longhair – New York Incorporated – Drag Rap (The Showboys) – Where Dey At (MC T. Tucker feat. DJ Irv) – Dj Jimi – DJ Jubilee – Juvenile – Big Freedia – Katey Red – Cash Money Records – Birdman – Mannie Fresh – UNLV – Lil Slim – Lil Wayne – Hot Boy$ – BG – Turk – 400 Degreez (album de Juvenile sorti en 1998) – Zaytoven – Young Money – Master P – No Limit Records – Silkk The Shocker – C-Murder – Mia X – Mystikal – Lil Romeo – Tha Last Meal (album de Snoop Dogg sorti en 2000) – Soulja Slim – Tha Carter V (album de Lil Wayne sorti en 2018).

I go to church strapped with a 45 Glock.

-Master P

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